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Clarity and the Elimination of Obstacles
Creating a work of art requires clarity, which is achieved by peeling and coring your thoughts and ideas one by one.
“The progression of a painter’s work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalisation from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood.” Read more
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